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Archive for April, 2011

MORGAN STIFF (MISSISSIPPI DAMNED) RECEIVES TRIBECA ALL ACCESS AWARD FOR NEW FILM, COUNTRY LINE

Morgan Stiff, Producer/Editor of Mississippi Damned - CINEMATIQ Magazine's TEN TALENTED PRODUCERS to follow of 2011

NEWS FROM CINEMATIQ@2011 TRIBECA FILM FEST…

Congratulations goes out to Morgan Stiff, one of CINEMATIQ Magazine’s TEN TALENTED PRODUCERS to follow of 2011 for winning the Tribeca All Access Creative Promise Award for Narrative, County Line. Morgan is the screenwriter  of Country Line and will also produce the film.  Lee Stiff returns as Executive Producer and Tina Mabry as Director/Producer. The award -winning team is best known for critically acclaim feature film, Mississippi Damned.  The film received rave reviews on the film festival circuit in 2009/2010 and most recently aired on Showtime. See Official press release below.

FOR IMMEDIATE RELEASE via TRIBECA FILM FEST/INSTITUTE

 

TRIBECA FILM INSTITUTE ANNOUNCES 2011 AWARD WINNERS

AND GRANTEES FOR TRIBECA ALL ACCESS PROGRAM,

LATIN AMERICA MEDIA ARTS FUND AND THE TFI DOCUMENTARY FUND

***

Overall TFI Funds for Filmmakers Reach $1,000,000

[New York, NY – April 28, 2011] – The Tribeca Film Institute (TFI) today announced several program award winners and grantees at the TFI Awards Luncheon at Riverpark NYC during the 2011 Tribeca Film Festival. Two winners of the Tribeca All Access (TAA) Creative Promise Awards presented by Time Warner; seven new TAA alumni grants and fellowships; four winners of the Latin America Media Arts Fund; and four grantees supported by Insurgent Media for the inaugural TFI Documentary Fund were all presented today, totaling $125,000 in funds.

“This year’s winners and grantees are true examples of the incredible strength of films and talent resulting from the support of the Tribeca Film Institute,” said Beth Janson, Executive Director of the Tribeca Film Institute. “Our main hope is that these films go on to completion and build strong relationships with audiences.”

During the TFI Awards Ceremony at Riverpark NYC in Manhattan, the following Tribeca All Access Creative Promise winners were announced:

  • TAA Creative Promise Award for Documentary

Gideon’s Army

Every day, more and more people are arrested, handcuffed, shoved into a

squad car, and booked. Weeks turn into months and their only line of defense is in the hands of a public defender. “Gideon’s Army” asks, are public defenders up to the fight?

Dawn Porter (Director)

  • TAA Creative Promise Award for Narrative

County Line

A Southern town’s underbelly exposed when its sheriff tries to rid himself of a drug alliance with a family friend and investigate the deaths of his female informants. In the process, he must confront his son’s addiction to the drugs he’s allowed in his county.

Tina Mabry (Director, Producer)

Morgan R. Stiff (Producer, Screenwriter, Editor)

Lee V. Stiff, (Producer, Executive Producer)

The winners were selected from 12 projects based on the strength of their vision and filmmaking promise.  The 2011 TAA Creative Promise Awards, presented by Time Warner, comes with a total prize of $20,000: $10,000 for narrative and $10,000 for documentary, as well as an original piece of art from a contemporary artist. The 2011 Narrative jurors were Hiam Abbass, Ajay Naidu and F. Gary Gray. The 2011 Documentary jurors were Elvis Mitchell, Suroosh Alvi, and John Quinones. Now in its eighth year, TAA was created to help foster and nurture relationships between film industry executives and filmmakers from traditionally underrepresented communities.

TAA also extended its programming and support for alumni this year including $25,000 in grants and fellowships for past TAA projects in development or new works by program alumni. The following grants were announced today:

  • Tribeca All Access Ontrack Grant Narrative
    When I Saw You

    Jordan, 1960s. An eccentric and unbounded boy runs away from home knowing full well his young mother will follow in this search for freedom.
    Annemarie Jacir (Director, Producer, Screenwriter)
  • Tribeca All Access Ontrack Grant Documentary
    Untitled Gay Retiree Documentary

    Set against the backdrop of various LGBTQ-friendly communities, Untitled Gay Retiree Documentary captures the experiences of several LGBTQ seniors as they navigate the adventures, challenges and surprises of their “golden years.”
    PJ Raval (Director, Producer)
    Sara Giustini (Producer)
    Kyle Henry (Editor)
  • Tribeca All Access Trans Media Award Narrative
    Chinafornia

    America, 2018. Unable to pay the ten trillion dollars it owes to China, the U.S. comes up with a plan: it gives China the  state of California. ANIMATION
    Ellie Lee (Director, Screenwriter)
    Peter Dowd (Screenwriter)
  • Tribeca All Access Trans Media Award Documentary
    Untitled Mu Xin Project (Working Title)

    In the sweep of China’s turbulent history, Mu Xin sacrificed everything for his art. Starting while he was illegally imprisoned, he transformed his experiences into a body of work merging East, West, classicism, modernism, terror and transcendence.
    He has avoided speaking of the horrors he has seen – until now.

Francisco Bello (Director, Producer, Director of Photography)
Tim Sternberg (Director, Producer, Editor)

·         The TAA Adrienne Shelly Foundation Filmmaker Grant

El Jardin

 

El Jardin is a portrait of a cemetery in the drug heartland of México. Since the war on drugs began in 2007 it has claimed over 35,000 lives. The cemetery has doubled in size and the mausoleums have doubled in height.

Natalia Almada (Director/Producer)

  • The Games for Change Fellowship for TAA Alumni

The Undocumented

The Undocumented is a feature length documentary which chronicles Arizona’s deadly summer months, following Border Patrol agents who fight to prevent migrant deaths, medical investigators and the Mexican Consulate who work to identify migrants who die crossing the border, and Mexican families who struggle to accept the loss of loved ones.

Marco Williams (Director)

  • Audience Activation Grant

The Ipo Boys (aka They Are All My Brothers)
Several boys at a home for abandoned youth in Mexico rebuild their lives while contributing to the social enterprise that sustains them: world-renowned French artisan goat cheese. DOCUMENTARY
Nicole Opper (Director, Producer)

“I’m incredibly proud of the Creative Promise Award winners but also can’t wait to see just how far this week’s meetings and networking will take each of the 12 filmmakers,” said Tamir Muhammad, Director of Feature Programming, TFI. “It’s also very exciting to see alumni come back and receive additional support through our newer grants – I’m looking forward to the successes of everyone here today.”

The Latin America Media Arts Fund also announced four winners to support innovative film and video artists who are living or working in Mexico, Central and South America. The awards announced today included:

  • The Battle for Land (Columbia), Directed by Juan Mejia– The Battle for Land delves deep into the complexities of mass displacement pushing us past prevailing ideas where displacement is seen as an aberration of war, and progressively revealing a more intricate and terrifying picture. It is above all a journey deep into the heart of uprooting and the dark side of progress.
  • Cocaine Prison  (Bolivia), Directed by Violeta Ayala– Trying to establish a cocaine business inside Bolivia’s craziest prison an unlikely friendship develops, between two ‘little fish’, a young ambitious trafficker and a middle-aged cocaine worker fighting for release, personifying the country’s love affair with cocaine.
  • Toys (Mexico), Directed by Alba Mora-Roca– Toys explores how a family’s peculiar love for toys helps children overcome the effects of violence in Mexico. It follows a Mexican-Japanese family who, having gathered the largest toy collection in Latin America, travels north to do workshops with victims of the violence generated by fighting drug cartels.
  • When Two Worlds Collide (Peru), Directed by Taira Akbar and Heidi Brandenburg– An indigenous leader forced into exile and facing 20 years in prison for resisting the environmental ruin of Amazonian lands by big business. Refusing to surrender he continues his quest, shedding light on conflicting visions shaping the fate of the Amazon and the climate future of our world.

The four selected films will each receive $10,000 in grants and guidance by TFI and were selected by a jury consisting of Benicio Del Toro, Paola Mendoza and Mónica Lozano.

Four additional grantees of the TFI Documentary Fund were also announced through the backing of NY-based Insurgent Media. Insurgent Media was founded by Andrew Karsch, Erik Gordon and Fisher Stevens and is a central innovator in the production and distribution of thought-provoking filmed content. The recipients announced today include:

  • Teenage, Directed by Matt Wolf and written by Jon Savage– Teenage is an unconventional historical film about youth culture based on an acclaimed book by the punk author Jon Savage. The film examines the invention of modern teenagers in wartime America with profiles of extraordinary adolescents.
  • Of Monsters and Men, Directed by Morgan Matthews– Of Monsters and Men is a fascinating and touching portrait of men who are obsessed with monsters and their adventures to find them.
  • Smash & Grab: The Story of the Pink Panthers, Directed by Havana Marking and Producer by Mike Lerner– Smash & Grab: The Story of the Pink Panthers, in their own words, the most successful jewel thieves of all time take you into their world: the post-Milosovic Balkans, the modern diamond trade and a 21st Century crime gang.
  • Don’t Stop Believin’: Everyman’s Journey, Directed by Ramona Diaz – Don’t Stop Believin’: Everyman’s Journey follows the real life rock-n-roll fairy tale story of Filipino Arnel Pineda, who was plucked from You Tube to become the front man for iconic American rock band, Journey, thereby becoming the latest performer to go from the Internet to real life celebrity. 

The TFI Documentary Fund grantees will receive $10,000 each in grants as well as guidance and consultation from TFI on the film’s production. Benefits include: festival and distribution planning and strategizing sessions; fundraising; and industry and/or crew match-making and introductions. The Fund was created to further the development of character-driven documentaries.

“We are supporting nearly 30 documentary projects in 2011 representing a broad spectrum of ideas from around the globe and offering a good mix of artists’ experience,” said Ryan Harrington, TFI’s Director of Documentary Programming. “TFI is excited and proud to continue to grow and strengthen the resources that we provide to our filmmakers.”

Grants which were previously announced were also recognized at the annual awards ceremony including: TFI Sloan Filmmaker Fund grantees, provided by the Alfred P. Sloan Foundation and the TFI Documentary Fund HBO Fellowships.

During this year’s Tribeca Film Festival (April 20-May 1), TFI filmmakers from programs including Tribeca All Access and the TFI Sloan Filmmaker Fund, participated in one-on-one industry meetings on Tuesday, April 26 and Wednesday, April 27 to network with film industry executives, potential investors, development executives, producers and agents.

Tribeca All Access is made possible by Bloomberg, with major support from Time Warner and additional support from the Hollywood Foreign Press Association, the Academy Foundation, the New York State Council on the Arts and the NYS Department Cultural Affairs. The TFI Latin America Media Arts Fund is made possible by Movie City, Canacine and Heineken.

REEL TALK About The State Of Race In The United State via Media & Pop Culture(video)

Continue watching all parts on CINEMATIQ Magazine TV via youtube


Media & Popular Culture: The State Of Race In The United State presented by C-span. This program was part of an Aspen Institute symposium on the state of race in the United States.

Panelist include: Richard Lui (Moderator), Donna Byrd, Mona Eltahawy, Will Griffin, Spike Lee

Let’s talk about it! What are your thoughts?

CINEMATIQ MAGAZINE CREATE NEW PROGRAM TO SUPPORT FILMMAKERS WITH SHORT FILMS

NEW YORK, NY – April 11, 2011 CINEMATIQ, a new quarterly resource magazine with a distinct perspective in Black Cinema presents inSHORT. inSHORT is a advanced platform for filmmakers of color to showcase their short film, trailer or web/TV series. Each week, CINEMATIQmag.com inSHORT page, will feature a short film.   The inSHORT time and day slot will be release April 25th, Tuesday, June 14th (New). People tuned in will be able to watch the video and tweet commentary at the same time. An open discussion will take place via twitter, aiming to attract more visibility to short films and their makers.

inSHORT is a new quarterly column in CINEMATIQ Magazine and will officially launch in print, in the Summer 2011 Issue. Currently, inSHORT seek Dramas, sci-fi, action and docs. Shorts cannot be longer than 20 minutes in length. Trailers are welcome but short films and or web/TV series get priority. inSHORT DO NOT accept comedy, music video’s, talk shows or video blogs. We are in search of well crafted quality short films with depth, substance in storytelling and execution.

” I simply wanted to create an online interactive forum for filmmakers with short dramas and documentaries to be seen and supported on CINEMATIQmag.com, followed by an open discussion.  Although I love comedy, their is an overwhelming lack of support for drama and more so with documentaries. I want to do my part in balancing out stories about the black experience in cinema” states Angel L. Brown-Ross, Editor-In-Chief of CINEMATIQ Magazine.

CINEMATIQ magazine will feature the top 5 shorts viewed on the website and include in the printed issue every quarter. “Youtube is the video source used for this project. Youtube is the #1 site people go to in search of video’s.  The opportunity for exposure using youtube is by far, the best according to google search engine,” stated Angel L. Brown- Ross. “Millions view youtube daily.  Many artists get their start and get discovered on youtube. I’m hoping this program will attract executive producer looking for the next great film.  The goal is to get as many people as possible to view great work by indie filmmakers of color telling their stories in truth,” explained Angel L. Brown-Ross.

The deadline for films to be submitted is May 1, 2011 extended to June 22 (New Date). Starting April 13, 2011 June 25th, films will be added to the inSHORT youtube channel. May 2nd July 1st (New Date) highlighted film will be announced.

HOW TO APPLY:

1. You must have a youtube account.

2. You must SUBSCRIBE to CINEMATIQ youtube account.

3. You must follow @cinematiqmag on twitter

4. Click  PERSONAL MESSAGE include SUBJECT: inSHORT include link to direct video you would like us to consider.

5. If video meet requirements, we will respond and add to our inSHORT playlist.

SUBMISSIONS DEADLINE: May 1 extended to June 22 (New Date)  for a chance to be included in our Summer 2011 Issue. For updates go to www.cinematiqmag.com/inshort.php

 

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About CINEMATIQ Magazine (www.cinematiqmag.com) Founded and created by Angel L. Brown-Ross, CINEMATIQ is a quarterly resource magazine with a distinct perspective on Black Cinema.  CINEMATIQ will cover the vast selection of films from independent films to mainstream.  In each issue, readers will find; interviews, film and equipment reviews, review focusing on topics ranging from development to distribution, resources and support for independent producers seeking funding for their projects.  The magazine is currently in print exclusively at www.cinematiqmag.com and will soon be available in stores. In the meantime, subscribe and your copy will be mailed to your door step for reading pleasure.

DIRECTOR OF BLACK CLASSIC,”THE WIZ,” SIDNEY LUMET DEAD AT 86 [video]

Legendary director/writer/producer Sidney Lumet has passed away at the age of 86, Saturday, April 9, 2011. His stepdaughter, Leslie Gimbel, told The New York Times that Lumet died of lymphoma. He is survived by wife, Mary Gimbel, daughters Amy Lumet and Jenny Lumet (by ex-wife Gail Lumet Buckley – daughter of the late great Lena Horne) among many family and friends.

Sometimes remakes of movies are done to reintroduce a classic historic film to a younger audience or to include a different perspective. I believe Sidney Lumet (1924-2011) has done that with the adaptation of “The Wiz“(1978). Although there are many flaws and debatable issues with the film, overall, I think we all can agree, the film is an African-American classic. Perhaps Lumet wanted to show his half black daughters another perspective, “The Wizard of Oz” (1939) did not.

Sidney Lumet leaves behind a legacy of great American cinema to study, examine and challenge the mind.  Two films that stood out to me during his long career of directing in Hollywood are, thought-provoking films, “12 Angry Men”(1957) and “The Verdict” (1982). His way of directing and conscious selective of film projects is one to study and take note.

WHO GETS TO TELL THE STORY? SPIKE OR STEVEN [video]

 

 

 

 

 

 

 

 

 

 

 

DAY 2:Re-Mixed and Re-Mastered(R2) produced by Michelle Materre.  I  look forward to Panel discussion: Who gets to tell the story? Representation, appropriation and distribution of the Black Image. I have very strong views on this matter. In fact, CINEMATIQ Magazine, takes on the challenge of debating representation behind the pen.  What are your views, does it matter who is behind the lens just as long as the story is told, or is that a part of the story? I use the same debate all the time; Two great historical films, done by people of the same race of their subjects. Would Malcolm X, the movie directed by Spike Lee be a story of “truth” if Steven Spielberg directed it? How about Schindler List, what if Spike Lee told the story.

Qasim Basir SHOWS US HIS PERSPECTIVE ON FAITH, HOPE AND UNDERSTANDING WITH MOOZ-LUM[video]

Qasim Basir, director of Indie Film, MOOZ-LUM Photo by BROWN-ROSS.com Photography (c) 2011

 

“I’m extremely optimistic that the release of our film will have the         power to give a voice to some and enlighten many others.”

~ Qasim Basir

 


Every now and then, there comes a time when a group of people has the focus of the world. With them there comes love, hate, interest and misunderstanding.  Native American. African American. Hispanic American. Asian American. In recent years, this has been a group of people the world has been longing to know more about.  Muselim, MOOzLUM, or Muslim American.  The lack of information and awareness available to the general public supports the lack of love the Muslim community has endured as a whole.  A recent poll shows that only 30% of Americans have a positive view of Islam.  Writer/Director Qasim Basir, in the first American feature of its kind, aims to humanize the Muslim experience in his film MOOZ-lum, set for release in theaters on February 11, 2011.
Basir was born and raised in Sunni Muslim, where the largest sect of Islam is practiced in the world today.  It is important for this director to present an honest, universal view of his community.  “I’m extremely optimistic that the release of our film will have the power to give a voice to some and enlighten many others.” In order to get past discrimination and intolerance, there needs to be a forum. This film is a catalyst to prompt truthful conversations hoping for forgiveness, tolerance, hope and identity for generations to come.  Read the full interview in the premiere issue of CINEMATIQ Magazine.

NEW BLACK TELEVISION NETWORK [VIDEO]

What does NBCUniversal, CodeBlack and Rain Forrest Films have in common? Bounce TV! “The nation’s first-ever over-the-air broadcast television network designed exclusively for African-American audiences.”

 

FIRST-EVER 24/7 BROADCAST TELEVISION NETWORK CREATED

EXCLUSIVELY FOR AFRICAN AMERICANS TO LAUNCH THIS FALL:
BOUNCE TV TO FEATURE MOVIES, SPORTS, SPECIALS, SERIES, INSPIRATIONAL FAITH-BASED PROGRAMMING AND MORE .

Major Motion Picture Licensing Deals with NBCUniversal Television, Sony Pictures Television, Codeblack Entertainment and Image Entertainment to Bring New Net Nearly 400 Titles;

Ambassador Andrew Young, Martin Luther King III Among Founders;
Rainforest Films Co-Founders Rob Hardy and Will Packer,
Former Turner Broadcasting Executives Ryan Glover & Jonathan Katz
Head Leadership Team;
Former Sony Pictures Television Executive Jeffrey Wolf to Lead Distribution Efforts
Watch the video promo and read the official press release at http://bouncetv.com.

REMEMBERING DR. MARTIN LUTHER KING JR

On this day, the world morns the murder of Dr Martin Luther King Jr. What have you done to fulfill the King’s dream? What have you done to fulfill your dream? Please share your thoughts…

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